DC Universe by Alan Moore

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Managing Editor Dick Giordano suggested Moore make up new characters instead. At first, it appears that all sides were pleased with their arrangements. In , very few comic book storylines enjoyed any kind of longevity. Trade paperback collections were not unheard of, but were far from the norm, and even these were not likely to stay in print for more than a few years. And so, around , Moore vowed never to work with DC again.


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Moore did return to DC Comics a decade later, albeit circuitously, as well as begrudgingly. The writer struck a deal Wildstorm, then an imprint of Image Comics, to create a new universe of heroes to be illustrated by his Awesome artistic partners to ensure they continued to receive steady work. While Moore was unhappy that his checks were ultimately being signed by DC, he gained assurances that he would receive no editorial interference from the publisher. A Tomorrow Stories tale critical of Scientology founder L.

Ron Hubbard was also spiked for fear of legal action. DC has, however, continued to publish new stories with some of the characters, especially the Tom Strong family, who are due to appear in the forthcoming The Terrifics. The point of no return would come, though, thanks to a cascading series of misadventures seeing his work adapted to film. From then, he asked his name be removed from film versions of his work, including V for Vendetta and Watchmen , and his film royalties instead allocated to the artists who co-created the comics. The breaking point with DC, though, came when V for Vendetta producer Joel Silver said in an interview leading up to the film that Moore was excited for the movie.

While DC Comics owned Watchmen , the publisher did not attempt to spin off or cross over the characters for more than 25 years. So there would be good reason for DC not to dip into the Watchmen well in order to keep their author happy and perhaps get the next grand literary epic out of him. But after the collapse of ABC, what stopped them?

But when Levitz left the role in and parent company Warner Bros. Overtures were made to Moore, of course. Moore takes liberties with characters in all of these stories, but they never feel like liberties. Not every story in this collection is as great as those above. The Vigilante story feels pulpy and exploitative and probably simply hasn't aged as well as the others. That's a tiny gripe though. Considering that you also get some great art from the likes of Curt Swan and Dave Gibbons , you can't really go wrong.

Jul 12, Stephen Theaker rated it it was amazing. Any book that contains Whatever Happened to the Man of Steel? It's one of the greatest comics ever written, and the finest send-off a character could have it relates the final story of the original Superman, prior to the John Byrne reboot. The rest of the contents may not reach those high standards, but still, Any book that contains Whatever Happened to the Man of Steel? The rest of the contents may not reach those high standards, but still, any fan of Alan Moore's work will count themselves lucky to find them so conveniently gathered together.

The Green Arrow and Vigilante stories won't change your life, but better to find that out here rather than after paying over the odds for the back issues!

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Dec 26, Ako rated it really liked it. This compilation book of short stories turned out to be as essential as his 'essential' ones. Stories like "Whatever Happened to the Man of Tomorrow? He wrote superhero stories like they're never written before fighting scenes I mean , the way they're beautified with absurdness, great writings, and complex plots.

The 7 Essential Alan Moore Stories - SYFY WIRE

Guess I'm gonna buy all of his books. Jan 28, Bill rated it liked it Shelves: comics , sci-fi , superheroes. Alan Moore is one of the greatest writers to ever work in comics, but that doesn't mean everything is all that great, as this mixed-bag of a collection shows. And while I know people love it, I will never, Alan Moore is one of the greatest writers to ever work in comics, but that doesn't mean everything is all that great, as this mixed-bag of a collection shows.

And while I know people love it, I will never, ever warm up to The Killing Joke the Joker crosses a very uncomfortable line here, no matter what the "official" word from DC states. View 1 comment. Apr 05, Bryce Wilson rated it really liked it Shelves: comics. I love Alan Moore. Snake worshipping madman though he may be, but I'd never read any of his superhero work before. The book is an interesting view of an artist developing. However, the book is padded by some more pedestrian superhero work, which means that for every story about Aliens living in a different time stream, or Bos I love Alan Moore.

DC Universe: The Stories of Alan Moore - PopMatters

However, the book is padded by some more pedestrian superhero work, which means that for every story about Aliens living in a different time stream, or Boschian world we visit, we also get a story about The Green Arrow fighting a burglar. Still to get such a wide range of work for twenty bucks is more then a fair deal. Apr 24, Riju Ganguly rated it really liked it. Solid stories that boast of narratives better than most, sardonic British?

The best are of course the two big novellas: "Batman:The Killing Joke", and "Whatever Happened to The Man of Tommorrow", but overall, the stories are entertaining reads in a thoughtful manner uniquly associated with Alan Moore. Sep 28, Bradley rated it really liked it Shelves: from-library. Great collection, although The Killing Joke may be the most overrated comic ever.

Aug 16, Jlawrence rated it liked it. One-off stories by Moore featuring various DC characters. Not as strong as his DC Swamp Thing run or later series where he got to completely do his own thing, but interesting and worth a read by any Moore fan.

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Various times you can see him playing with themes like, you guessed it, problematic aspects of the role of superheroes in society that are somewhat clunky here but which he later soared with. The two Superman stories were the strongest: in one, "For The Man Who Has Everything", Superman imagines a complete contented life on a non-exploded Krypton while in the paralyzed thrall of a psychic, parasitic alien plant gifted to him by an enemy; in another, he's driven crazy by an alien fungus flora really have it out for the Man of Steel here and in his psychotic fugue state has a psychedelic encounter with Moore favorite Swamp Thing.

Feb 19, Fiction State Of Mind rated it it was amazing. Alan was a part of the British Invasion of DC comics in the late 80's and though Swamp Thing and Watchmen are well known to fans this volume collects stories throughout various books that fans might have missed. I especially loved his Superman and Green Lantern stories. What's great is how these stories have a timelessness to them that new fans can connect with. Mar 22, Raj rated it really liked it Shelves: graphic-novel , short-stories , superhero.

Alan Moore has been one of the giants of comic books for thirty-odd years, and this book showcases some of his best work for DC Comics. Several of the stories are tender, some are funny, others are just odd, but there are a few which are disturbing. While The Killing Joke is justifiably a great story, it is very disturbing.

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There's the casual violence towards Barbara Gordon, what happens to Commissioner Gordon, and, for me, especially the last few panels. Excellent storytelling, but disturbing. I Alan Moore has been one of the giants of comic books for thirty-odd years, and this book showcases some of his best work for DC Comics. It feels almost nihilistic in some ways, asking what the point of life is, in the same way as The Killing Joke. But Moore seems to answer himself in other stories.

DC Universe by Alan Moore TPB

Whatever Happened to the Man of Tomorrow and In Blackest Night both seem to be deeply humanist stories about survival, life and finding things to fight for. There are also some very funny stories here. I really enjoyed the black humour in the Green Arrow story Night Olympics , while Brief Lives is a tale of how mighty empires mean nothing on some scales reminding me of the story of the two mighty battle fleets swallowed by a dog in Douglas Adams ' wonderful Hitchhiker's Guide to the Galaxy.


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And Mogo Doesn't Socialise is laugh-out-loud funny in its revelation. Moore is a writer I have a lot of respect for. I find him difficult at times, but this collection showcases his flexibility and his versatility. Even if you're not hugely familiar with the DC canon, it's still damn fine storytelling, even if it is disturbing at times.

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