The Cinema of Naruse Mikio: Women and Japanese Modernity

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Der neue Herold ist da! Modelle Anatomische Modelle Somso-Modelle. Lehmanns Verlag. Catherine Russell Autor.

About the author

One of the most prolific and respected directors of the Japanese cinema, Naruse Mikio made eighty-nine films between and This book illuminates Naruse's contributions to Japanese and world cinema. One of the most prolific and respected directors of Japanese cinema, Naruse Mikio made eighty-nine films between and Little, however, has been written about Naruse in English, and much of the writing about him in Japanese has not been translated into English.

By Michael Sooriyakumaran

With The Cinema of Naruse Mikio, Catherine Russell brings deserved critical attention to this under-appreciated director. Besides illuminating Naruse's contributions to Japanese and world cinema, Russell's in-depth study of the director sheds new light on the Japanese film industry between the s and the s.

Women and Japanese Modernity

Naruse was a studio-based director, a company man renowned for bringing films in on budget and on time. During his long career, he directed movies in different styles of melodrama while displaying a remarkable continuity of tone.


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His films were based on a variety of Japanese literary sources and original scripts; almost all of them were set in contemporary Japan. Many were "women's films.


  1. Bitter Blood (The Morganville Vampires Book 13).
  2. Naruse’s Repast (Meshi, 1951).
  3. Administration.
  4. Seven Myths of the Spanish Conquest;
  5. While neither Naruse or his audiences identified themselves as "feminist," his films repeatedly foreground, if not challenge, the rigid gender norms of Japanese society. Which means, If customers bought wrong e-Textbooks, they had to keep them.

    Mikio Naruse

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